The Universe of Disco

The Spite House

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The book is worth checking out, particularly if you are familiar with New York. The canonical architectural holdout occurs when a developer is trying to assemble a large parcel of land for a big building, and a little old lady refuses to sell her home. The book is full of astonishing pictures: skyscrapers built with holdout buildings embedded inside them and with holdout buildings wedged underneath them. Skyscrapers built in the shape of the letter E (with the holdouts between the prongs), the letter C (with the holdout in the cup), and the letter Y (with the holdout in the fork).

Photo credit: Jerry Callen

When Henry Siegel, a New York store owner, got news in 1898 that Macy's was going to build a gigantic new flagship store on Herald Square, he bought the corner lot for $375,000 to screw over his competitors. The Herald Square Macy's still has a notch cut out of its corner; see the picture at right. The Macy's store on Queens Boulevard is in the shape of a perfect circle, except for the little bit cut out of one side where the proverbial old lady (this time named Mary Sendek) refused to sell a 7×15-foot back corner of her lot for $200,000 because she wanted her dog to have a place to play. (Here's a satellite view of the building. The notch is clearly visible at the northwest corner, facing 55th Avenue.)

But anyway, the Spite House. The story, as told by Alpern and Durst, is that around 1882, Patrick McQuade wanted to build some houses on 82nd Street at Lexington Avenue. The adjoining parcel of land, around the corner on Lexington, was owned by Joseph Richardson, shown at left. If McQuade could acquire this parcel, he would be able to extend his building all the way to Lexington Avenue, and put windows on that side of the building. No problem: the parcel was a strip of land 102 feet long and five feet wide along Lexington, useless for any other purpose. Surely Richardson would sell.

McQuade offered $1,000, but Richardson demanded $5,000. Unwilling to pay, McQuade started building his houses anyway, complete with windows looking out on Richardson's five-foot-wide strip, which was unbuildable. Or so he thought.

Richardson built a building five feet wide and 102 feet long, blocking McQuade's Lexington Avenue windows. (Click the pictures for large versions.)

Richardson took advantage of a clause in the building codes that allowed him to build bay window extensions in his building. This allowed him to extend its maximum width 2'3" beyond the boundary of the lot. (Alpern and Durst say "In those days, such encroachments on the public sidewalks were not prohibited.") The rooms of the Spite House were in these bay window extensions, connected by extremely narrow hallways:

After construction was completed, Richardson moved into the Spite House and lived there until he died in 1897. The pictures below and at left are from that time.

Picture credits

All other pictures and photographs are in the public domain. I took them from pages 122–124 of the book New York's Architectural Holdouts, by Alpern and Durst. The original sources, as given by Alpern and Durst, are as follows:

	Collection of Andrew Alpern.
	January 1897 issue of Scientific American.
	New York Journal, 5 June 1897
	New York Public Service Commission

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